popeye the sailor

[2] Credited animators are therefore listed for each short. Paramount had begun moving the studio back to New York that January, and Mae Questel reassumed voice duties for Olive Oyl. The Popeye Show is currently airing on Cartoon Network in Pakistan as well as in India. By the end of 1939, Max and Dave had stopped speaking to each other altogether, communicating solely by memo. ", https://www.metv.com/stories/saturday-morning-cartoons-are-coming-to-metv-this-january?fbclid=IwAR3WudC87_AdNvt34RgUOQz3V1-SGGrnspm_Z23bdVdDRl7Sn9Qh81Chlis, "Cartoons Then and Now: Jerry Beck talks Woody, Popeye and More! The comic was created in the late 1920s by E.C. The head animator is the first animator listed. The Beginning of Popeye the Sailor Man. Director Eric Goldberg notes a very urban feel to the music of Popeye, reflecting "the type of cartoons they were making." His regular costume was changed from the dark blue shirt, red neckerchief and light blue jeans he wore in the original comics to an official white Navy sailor uniform, which he retained until the 1970s. For many decades, viewers could only see a majority of the classic Popeye cartoons with altered opening and closing credits. [2] For the first few cartoons, the opening-credits music consisted of an instrumental of "The Sailor's Hornpipe," followed by a vocal variation on "Strike Up the Band (Here Comes a Sailor)," substituting the words "for Popeye the Sailor" in the latter phrase. [2] The voices for Fleischer cartoons produced during the early and mid-1930s were recorded after the animation was completed. With William Costello, William Pennell, Bonnie Poe. The series, which aired 135 Popeye shorts over 45 episodes, also featured segments offering trivia about the characters, voice actors, and animators. a.a.p. By the mid-50s, budgets at the studio became tight and staff downsized, while still producing the same number of cartoons per year. [12] King Features realized the potential for success and began distributing Popeye-based merchandise, which in turn led to new Popeye TV productions. In 1997 (by which time the Popeye cartoons had come under ownership of Turner), home video rights to the MGM film library were reassigned from MGM/UA Home Video to Warner Home Video. These colorized shorts began airing on Superstation WTBS in 1986 during their Tom & Jerry and Friends 90-minute weekday morning and hour-long weekday afternoon shows. Goldmark divides the Popeye theme into two parts: the sailor horn pipe and the lyrical portion. Popeye began to sell more tickets and became the most popular cartoon character in the country in the 1930s, surpassing Mickey Mouse. Jerry Beck likens Popeye's television success to a "new lease on life," noting that the character had not been as popular since the 1930s. Fleischer Studios produced 108 Popeye cartoons, 105 of them in black-and-white. Final appearance of the "ship-door" opening segment, First appearance of the opening segment with Popeye's head and pipe. Popeye feeds Bluto spinach in order to get beaten up and put in the hospital with Olive, Bluto eats Popeye's spinach in order to best him at baseball, First time that Swee'Pea eats spinach to save the day. The cartoon opens with a newspaper headline announcing Popeye as a movie star, reflecting the transition into film. MeTV announced that they will air a Saturday morning cartoon block which includes the Fleischer/Famous Popeye cartoons beginning in January 2021.[13]. [2] Many cartoons, such as It's the Natural Thing to Do (1939), take their titles from popular songs of the time. Popeye's signature theme song was composed by Sammy Lerner and premiered in the first Popeye cartoon in 1933. In 1940, they found themselves at odds with Paramount over the control of their animation studio. In 1955, Paramount put their cartoon and shorts library up for television sale. [18] Popeye the Sailor: 1941–1943, Volume 3 was released on November 4, 2008,[19] and includes Popeye's three seldom shown wartime cartoons: You're a Sap, Mr. Jap (1942), Scrap the Japs (1942), and Seein' Red, White 'N' Blue (1943). However, King Features put a high asking price on the Popeye cartoons. These cartoons were seven B&W 1930s and 1940s cartoons, 24 Famous Studios cartoons from the 1950s (many of which fell to the public domain after the MGM/UA merger), and all three Popeye color specials (although some copyrighted Popeye cartoons turned up on public domain VHS tapes and DVDs). [2] Paramount renamed the studio Paramount Cartoon Studios in 1956 and continued the Popeye series for one more year, with Spooky Swabs, released in August 1957, being the last of the 125 Famous shorts in the series. In November 1932, King Features signed an agreement with Fleischer Studios, run by producer Max Fleischer and his brother, director Dave Fleischer, to have Popeye and the other Thimble Theatre characters begin appearing in a series of animated cartoons. For a 10-cent membership fee, club members were given a Popeye kazoo, a membership card, the chance to become elected as the Club's "Popeye" or "Olive Oyl," and the opportunity to win other gifts. logo which replaces the original Paramount one. Popeye The Sailor Man Classic Cartoon Collection featuring Popeye, Olive Oyl and Bluto. These productions were farmed out to numerous studios and were of very low quality, employing limited animation, and many artists were unhappy with the quality of such cartoons. and is based on someone Elzie Segar knew in Illinois.. First Popeye cartoon with stereoptical (3D background) process. [2] a.a.p. However, the Fleischer Popeye shorts shown on this block are mostly the 1980s colorized versions, and most of the title cards thereof have been edited to the a.a.p. The black-and-white Popeye cartoons were sold to television distributor Associated Artists Productions (a.a.p.) [12] While most of the Paramount Popeye catalog remained unavailable on VHS tape, a handful of shorts fell into the public domain and were found on numerous low-budget VHS tapes and DVDs. Many voice artists worked on the Popeye shorts over the two decades of production; this list is based on the most comprehensive artists. The actors, Mercer in particular, would therefore improvise lines that were not on the storyboards or prepared for the lip-sync (generally word-play and clever puns). After acquisition, the black-and-white Popeye shorts were shipped to South Korea, where artists retraced them into color. With the onset of World War II, the music in Popeye became more lush, fully orchestrated and patriotic. In late 1943, the Popeye series was moved to Technicolor production, beginning with Her Honor the Mare. First use of the "anchor" end title design. Polls taken by theater owners proved Popeye more popular than Mickey, and Popeye upheld his position for the rest of the decade. New voice cast member Jackson Beck began voicing Bluto within a few years; he, Mercer, and Questel would continue to voice their respective characters into the 1960s. Tight on a budget, the producers took advantage of their free access to the Paramount music library, including hit songs that would be introduced in feature films. Though these cartoons were produced in full color, some films in the late-1940s period were released in less-expensive two-color (usually) processes like Cinecolor and Polacolor. 01. Early appearance by Pip-eye, Pup-eye, Poop-eye and Peep-eye in a dream sequence, Rare occasion where Popeye does not eat spinach, Last cartoon with Pinto Colvig as the voice of Bluto. [12] a.a.p. He is a hefty hamburger lover and close friend of Popeye's, known for his mooching ways and a deceptively high level of intelligence. The Fleischers were big fans of jazz and would approach local jazz musicians to work on the cartoons, most of whom were more than happy to oblige. In addition to Bluto's redesign to appear more plump, as well as dressed in a naval outfit, Some TV versions are edited for racial stereotyping of Japanese people, Final Fleischer cartoon with Popeye in his comic strip uniform, This page was last edited on 7 March 2021, at 19:38. This is a list of the 109 cartoons starring Popeye the Sailor, produced from 1933 to 1942 by Fleischer Studios for Paramount Pictures.[1]. Popeye the Sailor is an American animated series of comedy short films based on the titular comic strip character created by E. C. Segar.In 1933, Max and Dave Fleischer's Fleischer Studios adapted Segar's characters into a series of Popeye the Sailor theatrical cartoon shorts for Paramount Pictures. The Popeye the Sailor Man character debuted in The Thimble Theatre comic strip in 1929. Popeye the Sailor, created by E.C. The triangle between Popeye, Olive and Bluto was set up from the beginning and soon became the template for most Popeye productions that would follow. Tough-guy. Animation historian Jerry Beck notes that, however, the "gag sense and story sense fell into a bit of a rut." Popeye's 20th Anniversary (1954) 06. The huge child following Popeye received eventually prompted Segar's boss, William Randolph Hearst, to order Segar to tone down the humor and violence. [12] In 2006, Warner Home Video and King Features Syndicate along with KFS' parent company Hearst Entertainment finally reached agreement allowing for the release of the theatrical Popeye cartoons on home video. The process was intended to make the shorts more marketable in the modern television era, but prevented the viewers from seeing the original Fleischer pen-and-ink work, as well as the three-dimensional backgrounds created by Fleischer's "Stereoptical" process. Fleischer's actual duties were those of a film producer and creative supervisor, with the head animators doing much of the work assigned to animation directors in other studios. By the early 2000s, the Popeye shorts were owned by Turner Entertainment Co., whose Cartoon Network broadcast restored versions of many of the shorts as part of an anthology series called The Popeye Show. In the intervening years, however, Popeye cartoons slowly disappeared from the airwaves in favor of newer television editions. Dave Fleischer was the credited director on every cartoon produced by Fleischer Studios. First and only cartoon in which William Costello uses his normal voice during a scene. By the 1970s, the original Fleischer and Famous Popeye cartoons were syndicated to various stations and channels across the globe. Film historian Leonard Maltin notes that the studio did not intend to make light of the war, but instead make Popeye more relevant with the times and show him in action. One source of inspiration for the Fleischers were newspapers and comic strips, and they saw potential in Popeye as an animated star, thinking the humor would translate well onscreen. For other meanings, see Wimpy (disambiguation). Volume One and Three of the series had the "Intended For Adult Collector And May Not Be Suitable For Children" advisory warning. Spinach became a main component of the Popeye cartoons and were used for the energetic finale in each. In 2001, the Cartoon Network, under the supervision of animation historian Jerry Beck, created a new incarnation of The Popeye Show. This is a list of the 109 cartoons starring Popeye the Sailor, produced from 1933 to 1942 by Fleischer Studios for Paramount Pictures.. During the course of production in 1941, Paramount assumed control of the Fleischer studio, removing founders Max and Dave Fleischer from control of the studio and renaming the organization Famous Studios by 1942. Get access to exclusive coupons. In June 1956,[11] Paramount sold the black and white cartoons to television syndicator Associated Artists Productions (a.a.p. 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